What a Work of Art Can Teach Us About Dishonest Portrayals of Immigrants

Mayra’s eyes stared upward, unblinking despite the desert sun.

Her eyes—or, rather, a massive photograph of them—were the centerpiece of a picnic and installation by the French artist JR that united residents on both sides of the U.S.-Mexico border in October. JR chose Mayra, who is a “Dreamer”—or a young undocumented immigrant who falls under the Deferred Action for Childhood Arrivals (DACA) program—to represent many things, all at once: Humanity. Hope. Beauty. Division.

If that last word is jarring, JR means it to be; his art is meant to inspire, but also provoke. His trompe l’oeil portraits force us to look critically at the world. They are unfiltered, unguarded and undeniably human. Art like JR’s challenges us to bear witness, to discover what we’re seeing. Because there is always more than meets the eye.

In the debate over immigration, perspective is everything. Depending on your vantage point, an undocumented immigrant can be a dreamer, a refugee or a fugitive. A border wall can be a shield or a needless division, splitting families.

What do we choose to see when we look in Mayra’s eyes?

Mayra’s eyes tell a story that even JR did not know when he took her portrait. She was born in Mexico with a condition called ptosis, which caused impaired vision and migraines. In 1992, at the age of 7, Mayra crossed the border to settle in California with her family. More than a decade later, thanks to DACA, she was finally able to get the health insurance she needed and see clearly for the first time in her life.

I met Mayra when she was a high school student. Her energy was irrepressible—and so were her dreams. But she had few pathways to achieve them. College Track, an organization I co-founded, helped Mayra stay motivated and connected to support and opportunities. We also offered guidance on how to apply for legal status. Mayra’s hard work and talent helped her reach the University of California, Santa Cruz, and, later, a master’s program at San Francisco State University. Today she is financially independent, works to support her mother and her 9-year-old niece, and has chosen a career in public health.

By Laurene Powell Jobs for TIME

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